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It’s a trip within a trip when it comes to psychedelic therapy music.

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“Turn on, tune in, drop out” was Timothy Leary’s famous LSD evangelist motto in the 1960s counterculture revolution. It also applies to many individuals’ sense of confinement. Certainly, dropping out was unavoidable in certain sectors of society, which shut down; nevertheless, the United States is now experiencing something of a love affair with psychedelics, and quarantine has played a role. Psilocybin and other psychedelics are becoming increasingly accessible, and several states and cities have decriminalized them (Detroit did so earlier this month). Recent studies revealed an increase in psychedelic use among college students (and a rise in LSD-taking overall in the United States).

Of course, they require some music to enjoy on their journey. During a period of lockdown, English artist and producer Jon Hopkins, known for his emotional and sometimes spacey riffs on techno and house music, attempted to figure out what was going on in his head. In January, he was heartbroken over a split between him and his significant other while wrapping up his beatless album, which was inspired by worldwide and internal excursions. The product of these sessions is Music for Psychedelic Therapy, which was released last month. According to a recent Zoom, Hopkins described the work as “not so much a piece of music as it is a series of locations or varieties of energy you pass through.”

According to Hopkins, his prior psychedelic of choice, DMT, supplied him the knowledge he needed to go far off the grid with an LP totally unlike his typical quantized dance music. The ethereal atmosphere of Therapy was “liberating,” according to Hopkins. There are no tempos, time signatures, or grids in Therapy; and this was quite freeing. “Taking away that just left all of this space for creativity with layers of sound and waves of complexity and simplicity, as well as more emotional content that I can’t get through programming drums.” It was ketamine, rather than DMT, that had the biggest impact on the album: he cut DMT out in 2019 because of growing anxiety prior to drug intake, and he’d been using it since (though he’s quick to point out that he does it maybe once a month). Therapy has an hour-and-a-half duration, which is the average length of a ketamine experience.

To reiterate, Hopkins is not a doctor nor does he act as one on TV, and the fact that his name sounds similar to the well-known Baltimore university/hospital Johns Hopkins is just a coincidence. “I’m just kind of following my own path, and I’m doing it as a shaman would do so in a ceremony.” Then, for psychedelic therapy, Music For Psychedelic Therapy is a proposition rather than a prescription. Hopkins explained that the title came to him while he was tripping, after he’d completed at least half of the album. “It was literally almost written in front of me at the end of this trip,” he added. “And it was just like, ‘There’s no alternative. You have to call it now.’” He likes it because the name pays homage to Brian Eno’s Music for Airports, a groundbreaking 1978 album that effectively defined ambient music while also establishing a thrillingly high bar for the music genre.

After reading Michael Pollan’s How to Change Your Mind, a sort of Intro to Psychonautics for the layperson, and learning how crucial music can be for the two pillars of successful trips—set and setting (that is: you’re more likely to avoid a bad trip if your attitude going into it is positive and unburdened, and your surroundings are comfortable) — Hopkins did not adhere to any standard layout when laying out his musical journey experience. There are examples of them—for example, Johns Hopkins researchers developed a playlist “to express the sweeping arc of the typical medium- or high-dose psilocybin session,” according to their website—but this group was more concerned with the title as “a contribution to the conversation about music within this context and its importance.”

“While I don’t pretend to know what’s best for individuals in that situation, I went out of my way to make it feel both warm and secure,” he added. “It doesn’t imply that it isn’t full of tense situations. It’s intended to be played at a high volume, and you’re supposed to feel the sub-bass rumble in your bones. But I wanted it to leave you in a position where you feel safe exploring some aspect of yourself, or perhaps be enthralled by nature’s majesty, for example, in the cave segment. It’s something I’ve been interested in for a long time. The recurring motif of field recordings that incorporate natural sounds is really just the stuff I wanted to experience first-hand while in those locations.”

The second half of the record, which comprises a three-track suite in the cave section, includes ambient sounds recorded in Ecuador’s Tayos Caves. The bard added, “My trip there in 2018 gave me the idea for Music for Psychedelic Therapy. It’s rather appropriate that the origin of this album was deep underground in the Amazon, whereas every other record began in a room in London or Los Angeles with sounds played around,” he explained. The English woodlands near where Hopkins experienced his DMT experiences provide the source for additional field recordings. In any case, the record was composed and mixed with Ableton, which is known for its music-making capabilities. Other sounds come from his Moog synth and piano (albeit heavily processed), while the song’s tone was formed by the music software. “A lot of things stem from manipulating sounds that are already there,” he added. “I explore what they’re saying until they sound like what I’m searching for. Until I find it, I have no idea what I’m looking for frequently. It’s like putting together a puzzle, but you don’t know what the completed picture is supposed to look like until it’s finished. It’s really quite cerebral, and it doesn’t require much technical ability.”

I’d been doing Music for Psychedelic Therapy while sober for weeks (I like listening to ambient/drone while I’m meditating since it provides me with something tangible to focus my thoughts on). The next day, after taking a modest dose of psilocybin to immerse myself in the music as intended, I had one of the most strange days of my life. It was an experience beyond words.

The bells on the opening track begin with a series of bends before seemingly whoosh up into and past outer space—my eyes covered, my thoughts tumbling visual pathways as the sound reverberated in my ears. Finally, scraping noises on “Love Flows Over Us in Prismatic Waves” etched thin patterns into my mental vision, and the feeling of racing in “Deep in the Glowing Heart” put what felt like G force on my body. I felt trapped and protected while listening to the “Tayos Caves, Ecuador” suite. I questioned how he knew how to score my perceptions before realizing that what I was seeing was visual scoring to his sound. I’m not sure whether the music aided therapy, but it was lovely to have as a cushion for the day’s journey (ambient music is my favorite soundtrack for a trip). The sounds are frequently soft and beautiful since life is also. I wept throughout both plays of the final song, “Sit Around the Fire,” which features Ram Dass’ words. “There once was a fire in each of us, and for some of us, there appear to be only ashes now,” says Dass in an audio clip that East Forest sent to Hopkins’ collaborator. “But when we dig in the ashes, we find one ember, and very carefully fan that ember. Blow on it; it brightens… The ember grows stronger, the flame flickers a little, and soon you realize that all we’ll do for eternity is sit around the fire.”

Although he was brought up as an atheist, his psychedelic encounters have cause him to adopt a more combative approach. “There’s no way to convey the DMT experience in words. It’s beyond description, save for suggesting that you’re in the presence of ultimate reality or some form of God. And I don’t mean a creature when I say “God.” I’m talking about an intelligence that is limitless and lies behind everything, this self-organizing aspect of the cosmos or whatever you want to call it, the origin of all things,” he explained. “To feel that and to go, ‘Oh, well, that’s just the structure of the brain,’ it’s just as valid to say that in order to say, ‘That’s a thing that we’re all intricately linked with,’ which is my conclusion.”

During our interview, he was similarly deep regarding the ties that run through his work.

“It feels like a weird superpower to be able to just sit there and create noises. You can enter those sounds as though they were a location via the psychedelic experience, and then you may visit them,” he said. “What I’m proposing isn’t just some new world. That’s what we’re talking about when we talk about creating your own universe. I’m actually building the locations I desire to see and then offering them to everyone by releasing it. When people tell you that what you’re doing is wonderful, it’s much more difficult to believe them when they explain how important this work is. The feelings of elation and accomplishment I experienced when creating this were unlike anything I’ve ever known. It was fantastic.”

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Foo Fighters will headline the 2022 Big Sky Music Festival.

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The Grammy-winning Foo Fighters are set to play at the Peak to Sky music festival in August 2022, just months after their appearance at Mayhem Festival.

In 2019, the inaugural edition of the festival was held in honor of Mike McCready, a member of Pearl Jam. Taylor Hawkins, the Foo Fighters’ drummer, performed that show with McCready, Brandi Carlile and members of Guns n’ Roses and the Red Hot Chili Peppers.

This year, the entire group has agreed to headline the event on August 10th.

“They’re one of the most popular bands on the planet, and it’s a dream come true not just as a music fan, but also as a rock-and-roll lover to have them perform in our backyard,” said Eric Ladd, founder and owner of Outlaw Partners. The Peak to Sky festival is produced by Outlaw Partners with Laura Glass of Cocolittle Media.

“It’s a dream come true, but it’s also a testament to dreaming big and a testament to the allure of a stunning area like southwest Montana,” Ladd added.

Tickets for Peak to Sky go on sale on Dec. 3 at the Peak to Sky website, peaktosky.com. Tickets start at $120.

The group’s final stop before ending their 20th anniversary tour in 2022 will be one of the smallest and most personal shows they’ve ever done.

The band will be playing an already-sold-out show at the London Stadium with support from Courtney Barnett and Hot Milk just over a month before competing at the Big Sky Events Arena.

The London Stadium seats 80,000 people, whereas the Big Sky Events Arena can only accommodate 5,000.

“Those who are lucky enough to obtain a pass will be witnessing history,” Ladd added.

The 2022 Peak to Sky music festival will not include any additional bands, but Ladd revealed that more information would be provided soon.

The Foo Fighters have won 12 Grammy Awards, including four for Best Rock Album, and were enshrined in the Rock & Roll Hall of Fame in 2021, their first year eligible.

After the death of Nirvana frontman Kurt Cobain in 1994, Nirvana drummer Dave Grohl formed the Foo Fighters with bassist Taylor Hawkins and vocalist/guitarist Pat Smear.

The new lineup features Dave Grohl on vocals and guitar, Chad Hawkins on drums, Pat Smear on guitar, Nate Mendel on bass, Chris Shiflett on lead guitar, and Rami Jaffee on the keys. Shiflett previously performed in No Use for a Name; Mendel was formerly in Sunny Day Real Estate; Jaffee was a member of The Wallflowers and has worked with other musicians.

The Foo Fighters have four entries on the Billboard Rock chart, the most recent of which is The Pretender, which spent five weeks at number one in 2007. Medicine at Midnight, the band’s most recent album, was released in February 2021.

The Foo Fighters have also used the moniker the Dixie Dewdrops. The brothers released a Bee Gees covers album and a live-in-studio Medicine at Midnight record called “Hail Satin” in July 2021.

Over all we are very excited about the news and hope to see you all there! Will you be attending? Let us know in the comments below.

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What Makes Twitch Streamer Pokimane So Popular?

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Imane Anys, commonly known as “Pokimane” in the online world, is a Moroccan-Canadian Internet celebrity and one of the world’s most popular streamers.

She is a well-known streamer on Twitch, a video game live streaming site with over 7.5 million followers. Her average concurrent viewership exceeds 18,000 people per stream.

Why Is Pokimane, a Twitch Streamer, So Popular?

Despite the fact that her streams are typically upbeat and cheerful, Pokimane has been caught in a number of controversies and drama throughout her streaming career.

The Earlier Life of Pokimane

Pokimanee was born in Morocco in 1996. She is now 25 years old. After Pokimane’s birth, her parents moved to Canada. She has only sibling.

After finishing high school in 2005, Pokimane attended the University of McMaster, where she earned her chemical engineering degree in 2008.

Here’s when Pokimane started streaming.

Pokimane first began streaming in 2013. She quickly rose to prominence on Twitch, ranking among the top 100 most-viewed streamers. In 2018, she won Best Streamer of the Year at The Shorty Awards after five years in the business.

Streaming on Twitch

Pokimane broadcasts a variety of games, as well as the chatting section of Twitch. She is currently playing many valorant video games, but she is famous for playing Fortnite and League of Legends.

Despite the fact that she isn’t playing League of Legends anymore, it is still her most streamed game on Twitch. She has broadcasted more than 1,200 hours of gameplay in the renowned MOBA.

How good is Pokimane at Valorant?

Pokimane has a lot of ranked valorant games under her belt, and she currently has a diamond ranking. A clip of her screaming loudly in Valorant recently went viral on social media sites, where she was seen getting frightened and shouting.

Some people feel that Pokimane isn’t particularly great at the game, and while playing, she might get help from her teammates. Pokimane was offended by such remarks and responded to each Twitter user personally.

Is Pokimane part of OfflineTV?

OfflineTV is a group of content producers that includes Pokimane, along with other video bloggers such as Jeremy “Disguised Toast” Wang, William “Scarra” Li, Lily “LilyPichu” Ki, and Michael Reeves.

Despite being a member of the group, she decided to depart from the OffliveTV’s residence.

Is Pokimane dating anyone?

It was reported that Pokimane is dating Fedmyster. Cameron “Fitz” McKay, a well-known YouTuber and video game player, made a joke about her that triggered online sexual harassment. Later, he apologized to her for making the remark that caused her to become the target of abuse on the internet.

“I’ve gotten an insane amount of horrible/sexual comments and conjecture because of a joke Fitz made (which he later apologized for). We never dated, but no one deserves this kind of treatment.”

Fans continue to debate whether or not Pokimane has a boyfriend, despite the fact that she’s stated previously that she prefers to keep her personal life private. Many users accuse her of feigning singlehood in order to attract desperate males who would then give money to her.

According to the Instagram account for Pokimane, she is single and not looking for a relationship. This isn’t the first time that her private life has been dragged into question.

Pokimane’s earnings through Twitch and her Net Worth

According to some reports, Pokimane has a net worth of $1 million or more. Twitch donations, sponsorships, ad income, and subscriptions are the main sources of her income.

However, the amount she earns on Twitch is uncertain; however, it’s clear that she makes a substantial amount of money. She has stated that she turned down a $3 million sponsorship.

Reports have emerged suggesting that Pokimane may have received $80 million in donations. Pokimane has denied saying it was definitely fake.

Why did Pokimane take a break from Twitch?

Pokimane went silent on Twitch for a few months in 2020. The streamer stated that she is suffering from burnout. Pokimane clarified that it’s the first time she has taken a break since starting her streaming career six years ago because she is bored. She misses her family, attending conventions, and other activities such as traveling to meet with her followers in person.

When she wasn’t on Twitch, Pokimane made a video to discuss the problems she had with other YouTubers. She had planned to be off from Twitch for 40 days, as per her plan. She received a warm welcome when she returned.

On her first day of streaming, she gained 1,519 new subscribers on September 11, 2020. According to Twitch Tracker, there were more than 36,000 concurrent viewers at its peak.

Has Twitch ever flagged Pokimane?

When Pokimane streamed live, Twitch caught her with a pornographic pop-up. A cautionary letter was sent to Pokimane by Twitch.

Many members of the streaming community were upset that a single warning wasn’t enough, as many men received bans ranging from three to thirty days for displaying accidentally sexually explicit material.

Is it true that Pokimane always puts on makeup before she streams?

In an early morning broadcast in 2018, Pokimane declared to her supporters about her cosmetics regimen. She was trolled on the internet after her stream with a barrage of negativity, including insults regarding her original appearance. Many people thought she was unattractive or middle-aged without makeup.

After deleting the tweets, she wrote, “I’m at peace with myself, my body and my flaws. And I wish the same for everyone who feels compelled to despise others because of superficial reasons.”

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K-pop Boy Band Lionesses Debuts Debut Song In Support of LGBTQ+ K-Pop

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Lionesses, a K-pop group formed in South Korea, is the first LGBTQ+ K-pop boy band to claim this title. The group’s debut song “Show Me Your Pride” was released earlier this week in the hope of encouraging other gay Koreans to discover their own pleasure and happiness.

The song is about LGBTQ+ issues such as coming out, dealing with anti-LGBTQ+ sentiments, and more. The YouTube description of the video reads, “Let me see your pride. You’re the one who shines like stars because you are unique.”

Damjun, Kanghan, Lee Marlang, and Foxman are the four-member band. Damjun and Foxman previously worked as management representatives for K-pop companies, according to information they gave to a local news network.

The real savanna leader, they declared, inspired their bands name.

“We often assume that the male lion with the thick bushy mane at the top of the African ecosystem’s food chain, which we see on television, is the predator. The lioness, however, holds true power. It’s a group of lionesses in command of the pack’s hunting that runs things.” Damjun informed.

The members got acquainted through visiting LGBTQ-friendly locations and networking over their shared goal of making music with people who feel the same way they do.

“I think that Korean society is still very conservative — although it’s considerably better than it was previously — and I believe our views and perceptions will continue to change in the future,” Foxman added.

The death of Byun Hee-soo, a transwoman who was dismissed from the military, serves as an illustration of South Korea’s traditional culture. Last month, a court in the country ruled that the military had wrongfully dismissed her; however, before hearing this decision, Hee-soo killed herself in March.

“Wouldn’t it have been great if she could have cried a little less? She was a solider who dedicated her life to defending this nation,” he remarked.

Their music has focused on LGBTQ acceptance. Damjun stated, “This is who we are” as the major message of “Show Me Your Pride.”

“Love yourself as a minority entails a lot of struggle and thought,” Lee Marlang stated “This is due to the fact that society is violent, prejudice and oppression are widespread.”

“We want to play the role of a lighthouse so that young LGBTQ people who wish to be musicians do not miss their opportunity due to their fear,” Damjun added. “I needed that light when I was 18 years old, but I didn’t have it,” he continued. “For world peace and minority liberation, I want to shine that light.”

The other members of the band echoed this same sentiment.

“I wanted to illustrate how perceptions are changing in Korea and that they are not the same as before,” Foxman added. “We will show you a nation that is improving gradually.”

The band announced that their next single will be released in December.

According to The South China Morning Post, the Ivan City Queer Cultural Fund of the Korean LGBTQ+ rights group Beyond the Rainbow Foundation assisted in production.

Several out LGBTQ+ artists can be found in South Korea, including K-pop star Holland and R&B artist MRSHLL, according to the news source. Jiae of Wa$$up, who revealed that she was bisexual or Hansol of Xeno-T and Topp Dogg, who declared himself asexual, are several former LGBTQ+ idols who have come out.

South Korea has yet to adopt federal anti-discrimination legislation to safeguard LGBTQ+ people, and there is still a large stigma attached to being gay. Last year, after a surge of COVID-19 was linked to gay clubs in the country’s capital, Seoul, LGBTQ+ individuals in the nation faced a backlash.

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